BiographyThrough his successful performances in the world's finest opera houses and concert halls with leading conductors and orchestras, Stuart Neill continues to establish himself as one of the most important tenors in the classical world today.
Mr. Neill has appeared at The Metropolitan Opera, Teatro alla Scala, Teatro La Fenice, Vienna Staatsoper, The Royal Opera Covent Garden, Teatro Colon, Alte Oper Frankfurt, Opera Company of Philadelphia, Dallas Opera, Lyric Opera of Chicago, The Atlanta Symphony Orchestra, New York Philharmonic, Israel Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, Boston Symphony Orchestra and Dresden's Staatskapelle.
Mr. Neill debuted at The Metropolitan Opera as Arturo in I Puritani; at Teatro alla Scala as Edgardo in Lucia; at Opera de Paris/Bastille and The Salzburg Festival as Der Singer in Der Rosenkavalier, at Vienna Staatsoper as Arturo in I Puritani, and at The Royal Opera Covent Garden as Riccardo in Verdi's Oberto. His New York recital debut was at The Lincoln Center's Alice Tully Hall and sponsored by The Opera Orchestra of New York.
Stuart Neill has worked with conductors Sir Colin Davis, Sir Andrew Davis, Zubin Mehta, Lorin Mazel, James Levine, Eduardo Muller, James Conlon, Wolfgang Sawalish, Michael Tilson Thomas, Sir Roger Norrington, Nello Santi, Carlo Maria Giulini, Michelangelo Veltri, Giuseppe Sinapoli and Anton Guadagno, to name but a few.
Mr. Neill is internationally recognized as the leading interpreter of the tenor role in Verdi's Requiem having performed the role more than 175 times.
Upcoming 2008/09 engagements for Mr. Neill include more performances of the role of Radames in Aida, debut performances of the role of Manrico in Il Trovatore at The Royal Opera in Stockholm, Cavaradossi in Tosca at Opera på Skäret and Royal Opera of Stockholm, and his return to Teatro alla Scala for debut performances of Don Carlo in Don Carlo, as well a third recording of Verdi's Requiem with The London Symphony Orchestra and Sir Colin Davis.
Mr. Neill can be heard on more than a dozen classical recordings including Bellini's Il Pirata for Berlin Classics, Verdi's Oberto for Philips Classics and the three Grammy recipient recording of Stravinsky's Perséphone with the San Francisco Symphony for RCA Red Seal, as well as several regionally available recordings.
Mr. Neill is represented by Crescendi Artist Management - Michael Morelli